November 9th 2003: A CULTURE
OF DISAPPOINTMENT
a Beyond the Shire report by Michelle
Laundhardt
We have
come, as fans, to dwell in what I’m coining a “culture
of disappointment”. It’s a self-feeding cycle wherein
we ourselves lap up every tiny tidbit of information available on
the Internet, and then discuss it all ad-nauseum in message boards
and forums. We formulate entire opinions and condemn or praise (quite
rarely praise) a film based on a minute to thirty seconds –
and sometimes no footage at all, merely rumors or unsubstantiated
pre-production fantasies – of finished film. We act as though
the studio responsible for a film, by cutting trailers and putting
up movie posters, is somehow promising something it can’t
live up to. That by advertising a film, they owe it to us to create
the film that we see inside our heads.
I submit that we are our own hype machines. We make these promises
up in our minds, after having seen the film footage and letting
our imaginations run wild. We project these promises on to the screen
and then, when they inevitably do not live up to the sheer fantastic
depths that the human mind can live up to, we cry “disappointment!”
at the top of our lungs. It is this word, “disappointment”,
that is troublesome. The studio has promised nothing except a finished
theatrical cut of a film with scenes that were included in the trailer
and characters advertised on the movie posters. Yet, when these
films fail to live up to our wild self-created promises of unimaginable
depth and quality, we cry foul; we sling around the term ‘disappointment’,
as though the studio had promised us the moon and instead handed
over an open bag of Pop Rocks.
This attitude has permeated nearly every fandom, mostly thanks to
the dearth of unreliable information on the Internet. Most people
will read tidbits of false information or snippets of the truth
and then formulate a totally uninformed opinion, and then act like
somehow everyone needs to listen to their endless, unintelligent,
ridiculously negative loudmouth ranting simply because the internet
gives them the power to shout it from every rooftop. As though their
opinion is valid because – shock – they don’t
like what they see. Typically these extremely early negative opinions
are based on nebulous reasoning and unexplainable “feelings”,
but aren’t backed up by anything substantial. We get fans
who are ‘disappointed’ over a trailer – a two-minute
cut of footage from an unfinished film. Tell me, what promise were
you made regarding that trailer? Who promised you everything you
wanted to see? What “expectations” did you mull over
before watching it? My question is, are you actually capable of
truly enjoying anything, or is life merely a circle of endless self-propelled
build-ups and inevitable letdowns?
I see people on message boards talking about how they go to the
movies just so they can complain about them. I see people crying
“disappointment” over thirty seconds of music from an
upcoming film. How is it possible that you can judge an entire musical
score based on 30 seconds of sound? If you then qualify your disappointment
by saying “Well, obviously I haven’t heard the entire
thing, maybe it’ll be good”, then please tell me what
the value is of spewing your negativity around in a public forum?
What good does that do? If you’re going to put caveats on
your endless, uninformed naysaying and worrying, why bother doing
it in the first place? What does it really add to the conversation
to say “There’s 2 seconds of clarinet in track 4 that
I don’t feel are appropriate”? Furthermore, if you’re
not a fan of the film in the first place, why are you on a message
board for fans of the film? Just to make people worry and naysay
and mire themselves in pointless, brain-clouding negativity like
you?
I submit that with this attitude in mind, it is impossible to enjoy
anything whatsoever. You have built things up so much in your own
mind that there’s no possible way that you’ll ever be
pleased with anything. There is a solution to this problem: patience.
There is absolutely nothing wrong with analyzing a beloved (or hated)
film after you’ve seen the finished product. Criticism is
a wonderful thing and can be a tool that’s capable of bringing
great change and seeing marvelous things. But it should be done
with a careful, guided and educated hand. Patience is the key. Accept
the information you’re given, and hold your breath. Watch
the final product. Like it or lump it, you’ve just done something
very responsible: you’ve waited and reserved judgment until
you’ve had enough evidence to base an informed opinion on.
I, for one, accept film as an artist’s medium and understand
that it is an ever-changing and marvelous thing, capable of wonders
we still cannot fathom. Furthermore, I don’t see how anyone
can watch the latest Return of the King trailer, and listen to the
soundtrack clips, and not think that in spite of some bruises and
bumps, this film will be one of the most majestic films ever created.
Nothing is perfect, folks. Please think twice next time you claim
“disappointment” over two seconds of an unfinished film
clip with an alternate take line reading.
The
above opinions, essays and articles do not necessarily reflect that
of The New York Tolkien, its staff, members nor its affiliates.
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